The project starts with the touch of newspaper and the grip of charcoal felt through the palm. The repetition of circular movement drops the burden of cognitive processing, therefore creating a void space between the conscious mind and the awareness. This collection of charcoal drawings marks the start of a process that was later recognized as a tool for the materialization of the inner world.

The process makes the author see how that ‘I’ functions: “I can shortly understand that I am not my mind and body but a self-recognizing identity; therefore, I have the capability to pause-recognizing.” The actual subject being shown in this exhibition is self-knowledge, which includes non-self-embedment and the understanding of worldly relations by making.

The exhibition wants to bring this experience to you well. Everyone is encouraged to use the materials provided in the gallery to find the grip between hand, charcoal, and paper. It costs nothing to draw. Drawing requires no experience or training, and by simply doing the most easy and innate action, it creates an unexpected transcendental journey for us.

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